Jones is eclectic.  She performs solo concerts, both secular and religious, and sings at numerous public venues and private events and occasionally does studio work as well.  She was a favorite guest vocalist at Bob Burns Restaurant in Santa Monica for several years, performing weekly until its closure in 2001.  In 2002, she made a major decision to concentrate on solo performing and recording.

Joining a local jazz vocal and theatre workshop in 1992 exposed Jones to jazz.  After a few months, she stepped up to lead the warm-up and vocalizing exercises at the beginning of each class and then later added the job of assistant and substitute workshop instructor.  From there she studied with a number of vocal coaches, including Dini Clark, but, primarily, Howlett Smith.  She was a featured soloist in Smith’s “Harmony Choir” and performed in a number of his ongoing Cantatas.  Jones has also performed with several other groups, including the dynamic Spiritual Roots Quartet, as part of a trio of background vocalists, and as one of the “Women in Jazz” vocalists.

Jones was born to sing.  Luckily her voice made the cut, because she comes from a large family where singing is a family affair.  In her teens, she sang with the Bellaires, a local seven-piece band in the San Gabriel Valley area.  As an adult, she continued her love affair with music, performing with “SING,” an ensemble that specializes in eight-part a cappella harmony and includes anthems, spirituals, Gospels, show tunes, easy-listening, jazz and pop in its repertoire.  With music rocking her soul, Jones was not content being just a singer.  She tuned her talent to song writing, crafting many songs, including “Rock-a-by Lullaby,” “Forever Love,” and “The Silence Is Too Loud.” The more than two dozen other songs she has composed include spirituals, Gospels, contemporary, and children’s tunes.  Her mother was the inspiration behind her latest one, “That’s a Mother’s Love.”